This section contains an overview of the most relevant exhibitions. Each item is connected to the organizing museum.

The Justin K. Thannhauser Collection


Photo/Foto: Hôtel de Caumont Art Centre

Hôtel de Caumont Art Centre presents masterpieces from the Justin K. Thannhauser Collection, which were bequeathed to the Solomon R. Guggenheim Foundation in New York in 1963. Some fifty major works from this prestigious collection will be presented in Europe in a travelling exhibition that began at the Guggenheim Bilbao Museum: paintings and sculptures by the masters of Impressionism and post-Impressionism, but also by the most important figures in modern art, from Manet to Picasso, Degas, Gauguin, Cézanne, Van Gogh, Braque and Matisse. The exhibition also offers the visitor the opportunity to reconstruct the history of the Thannhauser collection through photographs, inventory books and other archive documents that illustrate the relationships between the Thannhauser family and the avant-garde artists, collectors and dealers of the time.

The Oldest City Panorama


As of 24 March 2019, the Bastei presents the oldest Dutch city in a surprisingly new way. The ‘Nijmeegsch Rondgezicht’ Derk Anthony van de Wart (1767-1824) has been enlarged to 100 times its original size and offers a unique view of the 19th century landscape. The ‘Nijmeegsch Rondgezicht’ is the oldest city panorama of the Netherlands. Derk Anthony van de Wart captured this vista in 1806, from the Belvedère, just after the destruction of the Valkhof castle.  It shows the cramped fortified town amidst the grand and vast river landscape. It is for this exhibition that Kees Moerbeek has enlarged the original etchings and has complemented it with information in order to provide a clear picture of life in the beginning of the 19th century.

The Weimar Republic


The four chapters of the exhibition highlight the central challenges in politics and society faced by contemporaries of the Weimar Republic. The focus lies not on the downfall of the Weimar Republic, but rather on how the citizens dealt with the controversial topic of what democracy is and should be, and how the decisive principles of democracy evolved. The energy and modernity with which democrats addressed these problems are indeed impressive and visionary. Many of the freedoms and creative latitudes they fought for and defended are milestones and have lost none of their actuality: women’s suffrage established in 1919, compromise as a fundamental principle of democracy, the implementation of the social state, the. Democracy constitutes, so far, the best form of government. The exhibition is based on this principle.

War to the Destroyers


The Victor Hugo House and the Musée du Temps present an exhibition dedicated to Victor Hugo (1802-1885) and his commitment to preserving cultural heritage. He wrote a pamphlet about this in 1832. Interest in the Middle Ages and its heritage was born in France at the beginning of the nineteenth century, at the beginning of the Romantic Period. Medieval monuments were previously seen primarily as remains of a barbaric era, good as building material for new projects. Victor Hugo was one of the first advocates for the preservation of this heritage and he declared war to the destroyers, a still topical theme.